Although I am a contributor to Narthaki’s “Roses and Thorns”, I rarely check it out. This time everyone was sending me their comments (edited and unedited bits of which I will mark in blue) and asking for my reaction to a recent post by Ananda Shankar Jayant. This is a hilariously brilliant suicide attempt that deserves praise and encouragement🙂
There is a heated debate among those who are discussing this article. Some comments are pretty inoffensive: “Many of the videos hosted in the site are at least a decade old. There is no other way that youngsters like me would get to watch these videos, but for dancing india“. A couple of people complained to me that their comments were censured out.
According to a message of one commentator (Mahesh), his response to Ranjana Dave’s comment (“the misconception that if they [dancers] post videos of their work online, no one will watch them live“) was apparently cut out.
So, what was there that Anita Ratnam could not bear? (Was it her frustration that her most popular video on Abhinayastore.com priced at $2.99 was bought as many as…. 3 times since… 1 April 2008 ???🙂
The main points of what Mahesh sent me deserve to be expanded.
All dancers, despite their paranoid apprehensions of “what if some students record me on their VHS and learn the full item without paying me???” or, perhaps more frequent “what if people laugh at my crappy dancing?”, historically strived to be featured on DD because it was some kind of a “status symbol” and marked their entrance into the “elite” of the classical dancers regardless of the quality of their dancing.
The slots for broadcasting classical dance were few and are still sold out like hot cakes. But no commercial TV channels have been interested in total crap like this DD video of Anjana Banerjee even if Anita Ratnam on her site writes that Anjana Banerjee’s “dance forms entirely a part and parcel of India’s cultural heritage“.
And suddenly, all this crap (along with some good stuff) is uploaded onto DancingIndia to be sold to dance junkies, and appears alongside homemade Bharatanatyam videos on Youtube. The “senior” dancers are outraged and scared.
Of not being asked a permission for posting their videos online?
Or rather of seeing how few people are watching their videos online while many younger classical dancers receive literally millions of views? The “senior dancers” feel their ill-gotten “status” is threatened. The decade-long artificial hierarchy is challenged and is on its last legs.
One of the comments posted on Narthaki’s Facebook page deserves a special attention.
Some visitors may have suspected that Ananda is promoting her own videos on Dancingindia. But the posting stirred something in my memory and put a smile on my face.
It was around 2004 when I was searching for Bharatanatyam videos that had not flooded the Web back then. Specifically I was looking for a few Doordarshan broadcasts, and to my immense pleasure the tapes were being sold on ranidevi.com. At steep prices of $25-$75 for a VHS tape or a DVD. Now I can no longer find them there on Rani Devi’s official site, but the “unofficial page” at http://www.geocities.ws/ranidevi/index.html is still active and seems to be doing brisk business! Rani Devi, though, presents her selling these Doordarshan tapes as her social mission of popularizing classical dance in the US and worldwide, almost in a non-profit spirit.
Ananda Shankar Jayant’s suggestion is that “These videos are being made available to DancingIndia unofficially from Doordarshan itself from every Kendra, by a group of people“. And if she wanted to know who these people are, why didn’t she ask Rani Devi herself?
It was long time before a DVD of Volume 2 (no one knew when or where Volume 1 was released) of Bharatanatyam broadcasts from Doordarshan Archives was officially released. And it was long before the publication of Padma Subrahmanyam’s interview where she said she was urging Prasar Bharti to release the classical dance archives. With announcements like on http://www.friendsofprasarbharati.org/Recent%20newsYA85.htm, some dancers were elated. Dance students were trying to get the Bharatiya Natyashastra DVD and were frustrated. What do they do now? All the full episodes of Bharatiya Natyashastra are offered on Dancingindia for quick download, and for a dollar or two they can download almost anything. Since the times of Rani Devi’s selling the Doordarshan VHS tapes for $75, the prices have gone down so much, and now people don’t even buy DVDs as much as before.
But this is not the point. The point Ananda Shankar Jayant makes is about “piracy”. But when you hear one of her closest friends telling you that Ananda has more pirated software on her computer than most dancers, you start thinking. Thinking if she is planning to start a Pirate Party in India, to join the worldwide movement that is gaining strength. We all know that the intellectual property rights is a concept alien to our culture.
This comment, however, was not posted on Narthaki.com for obvious reasons: Anita Ratnam’s friend is loath to admit that she herself is one of the biggest software pirates in India. She is too shy: “Some of you have also responded with uncalled for belligerence, and personal comments, irrelevant to the topic under discussion. I would love to respond to them too, and will do so if you mail me“.
Piracy it too private to be discussed publicly. Even if some railway clerks have a Dr. title before their name, they risk being prosecuted.🙂